The Envelope

This story was first published in Flash Me at On Fiction Writing, August 2012.

 

Quincy tiptoed to his bedroom door, backpack slung over his right shoulder, beat-up sneakers dangling from the fingers of his left hand. He wrapped his right hand around the doorknob and turned it slowly. He pulled the door open with equal caution, grimacing at the mouse-like squeak of the hinges.

He stepped into the hall and paused. Assured that no one stirred in the other bedrooms, he padded to the stairs. Again he stopped. He glanced longingly down the hall before creeping downward, carefully avoiding the creaky middle of the eighth step.

The stairs led him to the house’s entryway. He placed his backpack and shoes by the front door. The first glow of dawn shone through the side windows. Still, no one stirred upstairs.

Quincy’s socked feet slid across the linoleum as he headed to the back of the house. In the kitchen, he pulled the envelope from the back pocket of his bell-bottom jeans. He reread the note before propping it against the percolator.

He indulged in a moment of guilt as he imagined the scene to come: his mother, in her yellow terry robe and matching slippers, finding the envelope, reading it….

“Stop it!” Quincy told himself in a firm whisper. He looked at his brother’s portrait on the mantle. I have to do this. It’s the right thing….Isn’t it?

He sighed and ran his fingers through his hair, which was at least five inches too long for his father’s taste. At least he wouldn’t have to hear about that anymore. Still, this wasn’t about his hair. Quincy pressed his lips together and looked back at Maurice’s picture. You know why I’m doing this, Mo. You’re probably the only one who understands.

He jogged back to the front of the house and grabbed his belongings. He was out the front door before he could change his mind.

Pulling on his sneakers, he glanced at his watch. Right on time. He turned left and started toward the bus stop.

 

*          *          *

 

Quincy began making plans four months ago, when the first envelope came. He didn’t have to open it to know what it was. Anything from the Selective Service could mean only one thing. He never showed it to his parents. They’d already lost their oldest son to the war. He didn’t want them assuming the worst about their middle son, not when all he’d gotten was his Order to Report for Armed Forces Physical Examination.

He thought about faking sick, but fooling the draft board had to be a lot harder than fooling old Mr. Toscano—and Mr. T had been hard to fool. He thought about getting a gun, shooting himself in the foot. Better to lose a foot than lose his life, he rationalized. But what would Maurice think? Maurice had obeyed his notice without question and paid with his life. Would he think Quincy a coward? What about Quincy himself? If he sacrificed his foot, would he be able to look his parents in the eye? Would he be able to look himself in the eye?

In the end, after a week of restless nights and distracted days, Quincy decided he owed it to his brother and his own conscience to keep all of his appendages. He reported as directed and left the exam without any doubt that he’d be classified I-A.

Three weeks ago, the second envelope arrived—the Order to Report for Induction. Uneven typewritten characters told him where to report (the post office) and when (today at 6:30 am). He didn’t tell anyone about the draft notice. Not until today—when he left it on the coffeemaker with his goodbye scrawled on the envelope.

 

*          *          *

 

The bus dropped Quincy off on the northwest corner of the town square. He checked his watch again. He still had a few minutes. He strolled around the square, soaking in the gazebo, the broken water fountain, the statue of old what’s-his-name from the Civil War. Who knew when he’d see them all again?  

He stopped in front of the bank where his father worked and offered a silent apology. Then his watch told him it was time.

Quincy headed for the post office.

 

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A Seat at the Bar

          Welcome to the Carver. What can I get you?

          Yup, we have that. One Jameson’s Irish Whiskey coming up. You a guest at the hotel? If you are, I can charge this to your room.

           No? Just here for a drink? That makes you a rarity. Nobody comes to the bar just to drink anymore. Now don’t get me wrong. People still drink here. It’s just not the purpose for their visit. That would be Elijah. In fact, more people come to this bar hoping to see Elijah than stay in the hotel. Which is too bad, because it’s a beautiful hotel. Still, it’s those lookiloos that keep the doors open.

            Who’s Elijah? You are a greenhorn. Elijah Carver, the man who built this hotel. That’s his portrait out there in the lobby, big as life. Surprised you missed it. Even in a painting, there’s something about the way he looks at you. Like you’ve got his full and undivided attention.

            Yup, we all—all the employees, I mean—learn all about Elijah Carver. We even have to pass a test when we’re hired. Wanna hear the short version?

Photo by Efaucon via Wikimedia Commons, used under Creative Commons 3.0

Photo by Efaucon via Wikimedia Commons, used under Creative Commons 3.0

            Okay, here goes: Ol’ Elijah came out West to find his fortune. He built this place in 1902. Poured his heart, soul, and life savings into making it the jewel of the town. Then the influenza got him, back in the Pandemic of 1918. He’s buried in that cemetery just outside the town limits. Course, some say he never left this building.

            That’s his seat down there, at the end of the bar. Every evening at 5 p.m. sharp, he’d perch on that stool and sip a glass of whiskey. I heard tell that people have been pushed off that seat by invisible hands, but I ain’t ever seen it happen. People say the air around that stool gets awfully cold sometimes, too, and that’s a sign ol’ Elijah’s spirit is visiting. Me? I chalk it up to the air vent in that part of the ceiling.

            Which isn’t to say strange things don’t happen around here.  One of ‘em happened to me. Lost a pair of sunglasses, in fact. I had put them on that seat right there, the very one you’re sitting in. It wasn’t on purpose. That just happened to be where I was. I bent down to retie my shoe when I felt a blast of cold. I straightened up to find my glasses had broken; each lens had developed a web of cracks like a windshield. Guess somebody don’t like sunglasses.

            No, you’re right. Sunglasses make it easy to hide. Elijah woulda thought that too, if he’d lived to see ‘em invented. He believed you should always be able to look a person in the eye. Mr. Carver also believed in keepin’ to a schedule, and I better get back to mine. It’s almost five o’clock, and Mr. C needs his whiskey.

            Hey, that’s a nice watch. Don’t see those analog babies around much anymore. Most people use their cell phones to keep track of time these days. Nice to see someone else is as old-fashioned as I am.

            You ready for more? No problem. It’s just as easy to pour two as it is to pour one. Let me top you off before I pour the new one.

            Here you go. 

            And this one goes…over…here.

            Yes, that’s Elijah’s seat. That’s Elijah’s whiskey too. We still put out a glass for the ol’ boy every evening at five. Oh! You thought that whiskey was for the other Mr. Carver. Jeffrey Carver owns the hotel now and yes, he’s related to Elijah. A great-grand-nephew or something. Elijah never had children of his own. This hotel was his baby. Now that I think about it, I’m not sure Elijah even had a wife. As far as I know, he was married to this place. Anyway, Jeffrey Carver does enjoy an occasional whiskey like his uncle, but he’s not as punctual about it as ol’ Elijah.

            Yeah, someone does drink from that glass. Can’t say if it’s Elijah Carver’s ghost or a patron with sticky fingers, but that glass ends up empty more often than not.

            Jeffrey? He’s a good boss. Seems to care about the place as much as Elijah did. He certainly goes out of his way to preserve the Carver’s charm. He even got this place on the local historic register. They’re unveiling the plaque tomorrow morning. You should stop by. The ceremony starts at nine.  That is, if you’re still in town. What brings you to these parts, anyway?

            Yeah? What business are you in?

            Hotels, huh? You with one of the big chains?

            No, huh? Good for you. Those chains have no charm, no character. Every room is the same, no matter what city you’re in.

            Yeah, I used to work in one. Guess I’m still a bit bitter. It wasn’t a bad place. It just lacked personality.  And when conventions came through, well, that was plain crazy. I don’t mind being busy, but that was ridiculous. I was putting up drinks one after the other. Don’t think I ever made eye contact or had a real conversation. Not like this here, like you and me. This is a treasure. This is why I became a bartender.

            Speaking of busy, looks like the evening crowd is starting to stream in. I best get back to work. Drinks to pour and Elijah’s stool to protect. Can I pour you another before I go?

            Your card?  Yeah, that’d be great. It’s been nice chatting with you. Maybe I’ll stop by your hotel sometime and we can do this again—only next time, you can pour.

            You have a good night, and thanks for the card, Mister, uh, Carver.

            Sir?


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